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Traditional Japanese art of paper folding, which started in the 17th century AD at the latest and was popularized outside of Japan in the mid-1900s. It has since then evolved into a modern art form. The goal of this art is to transform a flat sheet of material into a finished sculpture through folding and sculpting techniques, and as such the use of cuts or glue is considered kirigami.
The number of basic folds is small, but they can be combined in a variety of ways to make intricate designs. The best known model is probably the Japanese paper crane. In general, these designs begin with a square sheet of paper whose sides may be different colors or prints. This traditional Japanese art, which has been practiced since the Edo era (1603–1867), has often been less strict about these conventions, sometimes cutting the paper or using nonsquare shapes to start with.
Many books begin with a description of basic which are used to construct the models. These include simple diagrams of basic folds like valley and mountain folds, pleats, reverse folds, squash folds, and sinks. There are also standard named bases which are used in a wide variety of models, for instance the bird base is an intermediate stage in the construction of the flapping bird .Additional bases are the preliminary base (square base), fish base, waterbomb base, and the frog base.
It is common to fold using a flat surface but some folders like techniques
doing it in the air with no tools especially when displaying the folding. Many folders believe no tool should be used when folding. However a couple of tools can help especially with the more complex models. For instance a bone folder allows sharp creases to be made in the paper easily, paper clips can act as extra pairs of fingers, and tweezers can be used to make small folds. When making complex models from crease patterns, it can help to use a ruler and ballpoint embosser to score the creases. Completed models can be sprayed so they keep their shape better, and of course a spray is needed when wet folding.
It not only includes the one that flies, requires inflation to complete, or, when complete, uses the kinetic energy of a person's hands, applied at a certain region on the model, to move another flap or limb. Some argue that, strictly speaking, only the latter is really "recognized" as action origami, first appearing with the traditional Japanese flapping bird, is quite common. One example is Robert Lang's instrumentalists; when the figures' heads are pulled away from their bodies, their hands will move, resembling the playing of music.
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