Reefer Madness Film
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Two complete movies back to back, The Reefer Madness and The Cocaine Fiends. Both films explore the subject of drugs and illegal substance use in the early 1930's. Both of these films are classic hits describing the view of drugs from past generations. Now you can enjoy both films directly from your mobile device! Watch these films instantly and easily with our easy to use video playback function.
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Reefer Madness Synopsis
Considered THE archetypal sensationalized anti-drug movie, but it's really an exploitation film made to capitalize on the hot taboo subject of marijuana use. Like many exploitation films of the time, "Reefer Madness" tried to make a quick buck off of a forbidden subject while skirting the Motion Picture Production Code of 1930. The Code forbade the portrayal of immoral acts like drug use. (The illegal drug traffic must not be portrayed in such a way as to stimulate curiosity concerning the use of, or traffic in, such drugs; nor shall scenes be approved which show the use of illegal drugs, or their effects, in detail.)
The film toured around the country for many years - often being re-edited and re-titled ("Tell Your Children", "Dope Addict", "Doped Youth", "Love Madness", "The Burning Question"). It was re-discovered in the early 1970s by NORML (National Organization for the Reform of Marijuana Laws) and screened again as an example of the government's demonization of marijuana. NORML may have been confused about the film's sponsorship since one of the film's distributors, Dwain Esper, testified to the Arizona Supreme Court that "Reefer Madness" was not a trashy exploitation film but was actually sponsored by the U.S. Government - a convincing lie, but a lie nonetheless.
That being said, the film is still quick enjoyable since it dramatizes the "violent narcotic's ... soul destroying" effects on unwary teens, and their hedonistic exploits enroute to the bottom.
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The Cocaine Fiends Synopsis:
Often compared to Reefer Madness, this low-budget exploitation melodrama features Lois January as Jane Bradford, a small-town coffee-shop waitress falling in love with smooth-talking city hoodlum Nick Brogan (Noel Madison), who gets her hooked on cocaine. While Jane goes from pretty ingénue to a hardened nightclub habitue known as Lil, her brother Eddie (Dean Benton), a waiter in a drive-in restaurant, is persuaded by co-worker Fanny (Sheila Manners) to enjoy a night on the town. They both become addicts and Fanny is reduced to walking the streets for money. Pregnant and rejected by the hopped-up Eddie, she finally kills herself. Nick, meanwhile, attempts to seduce Dorothy Farley (Lois Lindsay), a bleach-blonde debutante, but the girl is saved in the nick of time by Jane/Lil, who shoots and kills their tormentor. The police arrive to arrest not only Jane but also the mysterious Mr. Big, who turns out to be Dorothy's father (Frank Shannon). Cocaine Fiends also features well-known character actress Fay Holden ("Hasn't he told you yet? Those headache powders are dope!"), who hides behind her original stage moniker of Gaby Fay, and a full-length floor show that includes gawky singer Nona Lee performing "All I Want Is You." The film was a remake of Willis Kent's silent The Pace That Kills (1928), footage from which is used throughout. ~ Hans J. Wollstein, Rovi
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Reefer Madness Synopsis
Considered THE archetypal sensationalized anti-drug movie, but it's really an exploitation film made to capitalize on the hot taboo subject of marijuana use. Like many exploitation films of the time, "Reefer Madness" tried to make a quick buck off of a forbidden subject while skirting the Motion Picture Production Code of 1930. The Code forbade the portrayal of immoral acts like drug use. (The illegal drug traffic must not be portrayed in such a way as to stimulate curiosity concerning the use of, or traffic in, such drugs; nor shall scenes be approved which show the use of illegal drugs, or their effects, in detail.)
The film toured around the country for many years - often being re-edited and re-titled ("Tell Your Children", "Dope Addict", "Doped Youth", "Love Madness", "The Burning Question"). It was re-discovered in the early 1970s by NORML (National Organization for the Reform of Marijuana Laws) and screened again as an example of the government's demonization of marijuana. NORML may have been confused about the film's sponsorship since one of the film's distributors, Dwain Esper, testified to the Arizona Supreme Court that "Reefer Madness" was not a trashy exploitation film but was actually sponsored by the U.S. Government - a convincing lie, but a lie nonetheless.
That being said, the film is still quick enjoyable since it dramatizes the "violent narcotic's ... soul destroying" effects on unwary teens, and their hedonistic exploits enroute to the bottom.
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The Cocaine Fiends Synopsis:
Often compared to Reefer Madness, this low-budget exploitation melodrama features Lois January as Jane Bradford, a small-town coffee-shop waitress falling in love with smooth-talking city hoodlum Nick Brogan (Noel Madison), who gets her hooked on cocaine. While Jane goes from pretty ingénue to a hardened nightclub habitue known as Lil, her brother Eddie (Dean Benton), a waiter in a drive-in restaurant, is persuaded by co-worker Fanny (Sheila Manners) to enjoy a night on the town. They both become addicts and Fanny is reduced to walking the streets for money. Pregnant and rejected by the hopped-up Eddie, she finally kills herself. Nick, meanwhile, attempts to seduce Dorothy Farley (Lois Lindsay), a bleach-blonde debutante, but the girl is saved in the nick of time by Jane/Lil, who shoots and kills their tormentor. The police arrive to arrest not only Jane but also the mysterious Mr. Big, who turns out to be Dorothy's father (Frank Shannon). Cocaine Fiends also features well-known character actress Fay Holden ("Hasn't he told you yet? Those headache powders are dope!"), who hides behind her original stage moniker of Gaby Fay, and a full-length floor show that includes gawky singer Nona Lee performing "All I Want Is You." The film was a remake of Willis Kent's silent The Pace That Kills (1928), footage from which is used throughout. ~ Hans J. Wollstein, Rovi
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