Super FLV Player Pro
Do you like watching movies? Do you often using your mobile phone to enjoy movies? You need a good player on your mobile phone to watch movies. Now I introduce a player to you, which is used on Android phones or tablets. Maybe It is not the best one, but it is the most practical one. Its name is Super FLV Player Pro.
Do you want to know its key features?
1. Its name is Super FLV Player Pro, but it not only can play FLV movies, but also can support almost all the types of movies.
2. It has a special point that it can display different icons of different types. For example, avi has its own icon, mp4 has its own icon, their icons are different. Therefore, different types have different icons.
3. Its operation is rather simple. You need not use several keys. What you need just touch the screen up and down. When you touch the left side of the screen, you can adjust the brightness of the screen; if you touch the right side of screen, you can adjust the volume of the movie.
Having such a functional movie player, you can enjoy movies at any time and any places. Download it as soon as possible; I believe that once you use it, you will love it.
Want to know more about movie?
At first you should know the theory of movie (also called film).
Film theory seeks to develop concise and systematic concepts that use to the study of film as art. It was begun by Ricciotto Canudo's The Birth of the Sixth Art. Formalist film theory, led by Rudolf Arnheim, Béla Balázs, and Siegfried Kracauer, emphasized how film was different from reality, and thus could be thought of a valid fine art. André Bazin disagreed. He reacted against this theory by arguing that film's artistic essence lay in its ability to mechanically reproduce reality not in its differences from reality, and this gave rise to realist theory. More analysis spurred by Jacques Lacan's psychoanalysis and Ferdinand de Saussure's semiotics among other things has given rise to psychoanalytical film theory, structuralist film theory, feminist film theory and others. On the other hand, critics from the analytical philosophy tradition, affected by Wittgenstein, try to clarify misconceptions applied in theoretical studies and produce analysis of a film's vocabulary and its link to a form of life.
The Language of Film.
Film is agreed to have its own language. James Monaco wrote a rather classic text on film theory titled "How to Read a Film". Director Ingmar Bergman famously said, " Tarkovsky for me is the greatest director, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream." Examples of the language are a long sequence of back and forth images of one actor's left profile speaking, followed by another actor's right profile speaking, then a repetition of this, which is a language understood by the audience to become a conversation. Another example is zooming in on the forehead of an actor with an expression of silent reflection, and then changing to a scene of a younger actor who vaguely resembles the first actor, indicating the first actor is having a memory of their own past.
You must has heard the montage, but you know it clearly?
Parallels to musical counterpoint have been developed into another theory of montage, extended from the complex superimposition of images in the early silent film to even more complex incorporation of musical counterpoint together with visual counterpoint through scene and editing, as in a ballet or opera; e.g., as illustrated in the gang fight scene of director Francis Ford Coppola’s film, Rumble Fish.
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