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Cocteau Twins JukeBox

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    Play Cocteau Twins songs without the need to search for it in YouTube.
    Simply type in the song's code from the list and play, just like a JukeBox !

    Also, You can choose any video of your choice, register it with any available code to personalize your own JukeBox!
    Internet connection is required to use the Jukebox.
    Enjoy.

    Cocteau Twins were a Scottish alternative rock band active from 1979 to 1997, known for innovative instrumentation and atmospheric, non-lyrical vocals. The original members were Elizabeth Fraser (vocals), Robin Guthrie (guitar, drum machine) and Will Heggie (bass guitar), who was replaced by multi-instrumentalist Simon Raymonde early in the band's career.

    While the entire band earned much critical praise, Elizabeth Fraser's distinctive soprano vocals received the most attention. At times barely decipherable, Fraser seemed to veer into glossolalia and mouth music. Allmusic reviewer Ned Raggett writes that "part of her appeal is how she can make hard-to-interpret lyrics so emotionally gripping."
    Robin Guthrie and Will Heggie (bass guitar), both from Grangemouth, Scotland, formed the band in 1979. At a local disco, Nash, they met Elizabeth Fraser, who would eventually provide vocals. The band's influences at the time included Joy Division, The Birthday Party, Sex Pistols, Kate Bush, and Siouxsie and the Banshees. The band was named after the song "The Cocteau Twins" by fellow Scotsmen 'Johnny and the Self-Abusers' (who later renamed themselves Simple Minds; the song "The Cocteau Twins" was also re-penned as "No Cure"). Their debut recording, Garlands (released by 4AD Records in 1982), was an instant success, as was the subsequent Lullabies EP. Around that time, NME's Don Watson compared the style of the band to goth bands like Gene Loves Jezebel and Xmal Deutschland.

    Will Heggie left the group after the tour that followed the 1983 release of the band's second EP, Peppermint Pig. He subsequently joined Lowlife. The band's sound on its first three recordings relied on the combination of Heggie's rhythmic basslines, Guthrie's minimalist guitar melodies, and Fraser's voice; the Cocteau Twins' next full-length LP, Head over Heels, relied solely on the latter two. This led to the growth of the band's characteristic sound: Fraser's voice, by turns ethereal and earthy, combined with Guthrie's effects-heavy guitars. Guthrie has often said that he is far more interested in the way the guitar is recorded, than in the actual notes being played, though he later admitted the effects and layering were due to his own technical limitations.

    In 1983, the band participated in 4AD's This Mortal Coil project (this spawned a cover version of Tim Buckley's "Song to the Siren" performed by Guthrie and Fraser), and during their work for that, they got to know multi-instrumentalist Simon Raymonde (formerly a member of Drowning Craze), who joined the group later that year. In 2012, Dawn French selected "Song to the Siren" on Desert Island Discs as, in her words, "The song that made me fall in love again"With Raymonde, the band released a series of critically acclaimed albums and EPs that explored their new style. These included The Spangle Maker (1984), Treasure (1984), Aikea-Guinea (1985), Tiny Dynamine and Echoes in a Shallow Bay (1985), and Love's Easy Tears (1986). Raymonde, who was called in to work on the second album by This Mortal Coil, did not participate in the recording of the fourth Cocteau Twins LP, Victorialand (1986), a predominantly acoustic record which featured only Guthrie and Fraser. Raymonde returned to the group for The Moon and the Melodies (1986), a collaboration with ambient composer Harold Budd, which was not released under the Cocteau Twins name.

    In 1985, 4AD signed an agreement with Relativity Records for distribution of the Cocteau Twins' releases in the US and other territories.

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